The everyman had become The Omega Man, and he bore the mantle nobly, playing stoic survivalists literally defined by their quests (The Mariner, The Postman). The gravity stands high and bright, like an eagle on a peak.” In the Nineties, when the actor went all in on a pair of dystopian epics as grungy and bleak as they were earnest and admonitory, Thomson may have had a point. And he’s never been more alive or at ease onscreen.Ĭritic David Thomson once wrote that “a man like Costner would be killed by humor. The baseball glove that seemed welded to his hand for over a decade has been replaced by a scotch, rocks. The man whose genial California drawl once charmed Susan Sarandon and Eighties America by recounting his innermost convictions (“I believe in long, slow, deep, soft, wet kisses that last three days”) now assumes the authoritative rasp of a mid-career Gene Hackman. The first time Kevin Costner opens his mouth in Mike Binder’s Black or White, viewers are likely in for a surprise.
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